My life has been a lovely cloud of nondescript moodiness and underutilized creativity lately, so what's a better way to procrastinate than through drawing self-imposed ballpoint pen tattoos!!!**†
**Actually, I can write this one off as "helpful diversion," because it made me realize a lot of important things about my psyche. Turns out that the prospect of getting ink'd focuses your mind on what matters most.
† Excuse my recent obnoxiously wordy tendencies. Aaand there I go again.
"Park that car, drop that phone, sleep on the floor, dream about me."
-Broken Social Scene, Anthems for a Seventeen-Year-Old Girl
This here tattoo is "don't forget it in people" on my forearm. It's a variation on the Broken Social Scene album title "You Forgot it in People." I was listening to my iPod on shuffle, and Anthems for a Seventeen-Year-Old Girl came on--the album title seemed to suddenly strike a chord with me. I too often try to find the worst in people as a way to protect myself from getting hurt. I'm too slow to trust, even with something as simple as being my actual self around somebody else. I feel like I often come off as detached because of this. I need to always remember the good in people. How amazing the sun of friendship is. And that it's worth the fall to let them in.
"The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.”
-Alice Hoffman, Practical Magic
This one's a pieced-togther sun and moon crescent on my upper wrist. The classic image of the sun has consistently appeared in my dreams since I was a child. Also, it represents the two contrasting aspects of my personality--I'm boisterously silly, optimistic, and spontaneous. I'm simultaneously introverted, self-conscious, and a rabidly deep thinker. My life is a constant battle between these two extremes. I'm often taken too seriously, or not seriously enough. I write both tragedies and comedies. This tattoo is a reminder that the two sides of myself can coexist, and that they are both equally necessary for me to be myself. I need to remember that they help, not hinder each other.
"Sometimes I think that I'm bigger than the sound, I think that I'm bigger than the sound, I think that I'm bigger than the sound, I THINK THAT I'M BIGGER THAN THE SOUND *sexy guitar riff* "
-Yeah Yeah Yeahs, Cheated Hearts
This one, I messed up. But it's supposed to be Karen O's lips dripping in black on my lower forearm. First of all, Karen O just rocks. I admire her creativity, style, and general badass-ness. I love how she balances toughness with femininity, and how her singing is so raw. I love that she has a sense of humor about herself and her music, but it doesn't take away from its honesty. I also feel a connection to her because she was born in the same town as me. It all basically just inspires me to take on the world.
Chances are that I'll never actually get any of these tattoos, and maybe that's for the best--everything about me is so transient, I could never commit to any of them for my entire life. And I don't need to. But as long as there's a Papermate around, I can be an office-supply-store certified badass.
Tuesday, November 27, 2012
Sunday, November 18, 2012
and so this is college
Oh, Ali. Oh my gosh Ali. You have no idea what you're about to accomplish. You have no idea who you're about to become.
You have no idea what you're capable of.
Every fiber of your being that has strung you along since you were a child has culminated into this.
And I'm talking to my younger self, by the way, because I can't believe how much has changed, how much I've changed, since I last posted. During my last post, I was chained to my mint gingham chair by the unbreakable links of pneumonia, watching Arrested Development, The Office, Donnie Darko--all of the things I should have watched years ago. I was a breath away from college, and changing already.
And now I'm here.
Sitting on the top bunk bed, my top bunk bed, in my dorm. To my left is a pattern of stick-on mirrors, a pink-and-green Modest Mouse poster, a Garden State movie poster, a Hello Kitty calendar, a blue-and-pink Keane poster, a long Coldplay poster to stare at as I drift to sleep, and a picture of my brother and I as badass kids, wearing leather jackets and standing next to our first puppy-love, Jazz.
And I'm delicately drowning in joy and hope.
My time at Fordham hasn't been without doubt, pain, and pitfalls, but it's been wonderful in ways I never even knew were possible. And it's exactly what I need.
I've accomplished so much. For sanity's sake, I'll only talk about this weekend.
On Friday, I saw the alt-rock band Cheers Elephant play at Rodrigues, Fordham's magical coffee house. I wore a kickass dusty-rose-pink skull crop top, a striped black-and-white blazer, jeans, and charcoal cotton heels. I danced crazily with my friends, and sang along to all of the words, even though I didn't know a single one. I pushed myself to the front of the crowd with my friend, and we both won a free CD because were undoubtedly the best dancers in the room. I made silly faces at the lead singer and he smiled at me.
After, the crowd clung together outside, and I saw some old friends and attempted to make new ones. I left with my other friend, and we said we were going to the bar, but each step took us further from that plan. We watched Tiny Furniture and music videos while eating Pugsley's pizza instead.
On Saturday, my friend and I went to the Columbia University Media Conference, where we rubbed elbows and ate sandwiches with writers/editors from the likes of the New York Times, Gawker, and Slate. I hung onto every word they said. Columbia is a utopia, I swear, and the path to get there was immeasurably beautiful. We went through Morningside Park and climbed a million stairs Rocky-style to get to there. New York City is unreal.
Today, on Sunday, I slept through my morning plans. But after hours of unprecedented concentration and isolation, I finished my article for the Fordham newspaper, in which I interviewed Tony Hawk and Stacy Peralta, two of skateboarding's most massive stars.
And here I am. My name hasn't changed. But everything else has. I feel powerful and strong, but I have so, so far to go. But I know I can get there.
"Goodnight, and good luck."-Edward Murrow, a new inspiration of mine. One of many. Many to come.
Ali G, badass extraordinaire (in training)
You have no idea what you're capable of.
Every fiber of your being that has strung you along since you were a child has culminated into this.
And I'm talking to my younger self, by the way, because I can't believe how much has changed, how much I've changed, since I last posted. During my last post, I was chained to my mint gingham chair by the unbreakable links of pneumonia, watching Arrested Development, The Office, Donnie Darko--all of the things I should have watched years ago. I was a breath away from college, and changing already.
And now I'm here.
Sitting on the top bunk bed, my top bunk bed, in my dorm. To my left is a pattern of stick-on mirrors, a pink-and-green Modest Mouse poster, a Garden State movie poster, a Hello Kitty calendar, a blue-and-pink Keane poster, a long Coldplay poster to stare at as I drift to sleep, and a picture of my brother and I as badass kids, wearing leather jackets and standing next to our first puppy-love, Jazz.
And I'm delicately drowning in joy and hope.
My time at Fordham hasn't been without doubt, pain, and pitfalls, but it's been wonderful in ways I never even knew were possible. And it's exactly what I need.
I've accomplished so much. For sanity's sake, I'll only talk about this weekend.
On Friday, I saw the alt-rock band Cheers Elephant play at Rodrigues, Fordham's magical coffee house. I wore a kickass dusty-rose-pink skull crop top, a striped black-and-white blazer, jeans, and charcoal cotton heels. I danced crazily with my friends, and sang along to all of the words, even though I didn't know a single one. I pushed myself to the front of the crowd with my friend, and we both won a free CD because were undoubtedly the best dancers in the room. I made silly faces at the lead singer and he smiled at me.
After, the crowd clung together outside, and I saw some old friends and attempted to make new ones. I left with my other friend, and we said we were going to the bar, but each step took us further from that plan. We watched Tiny Furniture and music videos while eating Pugsley's pizza instead.
On Saturday, my friend and I went to the Columbia University Media Conference, where we rubbed elbows and ate sandwiches with writers/editors from the likes of the New York Times, Gawker, and Slate. I hung onto every word they said. Columbia is a utopia, I swear, and the path to get there was immeasurably beautiful. We went through Morningside Park and climbed a million stairs Rocky-style to get to there. New York City is unreal.
Today, on Sunday, I slept through my morning plans. But after hours of unprecedented concentration and isolation, I finished my article for the Fordham newspaper, in which I interviewed Tony Hawk and Stacy Peralta, two of skateboarding's most massive stars.
And here I am. My name hasn't changed. But everything else has. I feel powerful and strong, but I have so, so far to go. But I know I can get there.
"Goodnight, and good luck."-Edward Murrow, a new inspiration of mine. One of many. Many to come.
Edward Murrow, badass extraordinaire
Ali G, badass extraordinaire (in training)
Thursday, August 23, 2012
2bc
Officially counting down to college. Not to fantasies, not to applications, not to exams, but to the actual thing. At this point, I believe in time travel more than the fact that I'll be attending a university in less than a week. Which is the fault of 2 parts denial, 1 part Donnie Darko.
Monday, August 13, 2012
love letter to a city unknown
New York City fucking scares me, but it makes me feel alive.
I don't know much of anything. I often feel as if I'm regressing, fading into an oblivion negative enough to depolarize my every atom. I don't know why. I don't.
Yet whenever I'm in the City, I feel a physical shift. Something palpable. Something real. There is consequence to every step. Dreams are at an arm's reach. So are the demons. So are you. But at least you can finally see them.
I have never before felt so insignificant. So absolutely present. So powerful. The suburbs shower you with the moldy grandeur of significance since birth, an empty baptism. You are special. Sing the gospel. Write your goals in the blanks provided.
Significance is a separation. Postulation, not protein.
To be insignificant is to be a part of something. Whatever it is, you're in.
Influential.
The City and the person take turns playing canvas.
And everyone, every one, separate from path or sphere or goal or flesh, is always in motion. The spirit of the city is that we try. We all try.
We recognize the power of the City and ourselves. And we underestimate neither.
I've been trying to find a way to keep that feeling, for me to invoke it at will, so that I may go about my days with a sense of power.
I've tried snapping twice at inspiration, hoping to thread the senses.
Maybe there are no threads. Maybe they're everywhere.
Maybe that's the same. Maybe that's beautiful.
I don't know much of anything. I often feel as if I'm regressing, fading into an oblivion negative enough to depolarize my every atom. I don't know why. I don't.
Yet whenever I'm in the City, I feel a physical shift. Something palpable. Something real. There is consequence to every step. Dreams are at an arm's reach. So are the demons. So are you. But at least you can finally see them.
I have never before felt so insignificant. So absolutely present. So powerful. The suburbs shower you with the moldy grandeur of significance since birth, an empty baptism. You are special. Sing the gospel. Write your goals in the blanks provided.
Significance is a separation. Postulation, not protein.
To be insignificant is to be a part of something. Whatever it is, you're in.
Influential.
The City and the person take turns playing canvas.
And everyone, every one, separate from path or sphere or goal or flesh, is always in motion. The spirit of the city is that we try. We all try.
We recognize the power of the City and ourselves. And we underestimate neither.
I've been trying to find a way to keep that feeling, for me to invoke it at will, so that I may go about my days with a sense of power.
I've tried snapping twice at inspiration, hoping to thread the senses.
Maybe there are no threads. Maybe they're everywhere.
Maybe that's the same. Maybe that's beautiful.
Monday, June 25, 2012
this is your brain on nighttime
"versatile" may just be my new favorite euphemism for "lost."
you are the dark place in my mind
the corner I revert to when my synapses sink in time
crush me and caution me and garnish me with your care
planning dyed hair is a strange affair
an affair that's never a thought, but a symptom
pull the knife out of your back while I play the victim
are you tracing your feelings, reasons, meanings with a blade?
miles of Niles in your system left to untangle in the shade
of a chemical, hereditary, primary reaction-function
truths dripping from the salty-sweet eyedropper venom
of your eyes veins eyes veins eyes veins eyes
lies brain wise brain tries brain, synthesized
Synth is a religion and nightclub floors are the pews
bass is the gospel and flashing lights are the hues
that currently color in the skeletons of blueprints
you drew for your dreams, defined old reality with
tongues in others' lungs doesn't make for an answer
but I hear your prayer, girl, and I echo your seance
bodies twisting in rhythm with anyone who will feel us
people sweat and Ciroc are all liquids, what's the difference
searching for a Fountain of Amnesia to heal us
you are the dark place in my mind
the corner I revert to when my synapses sink in time
crush me and caution me and garnish me with your care
planning dyed hair is a strange affair
an affair that's never a thought, but a symptom
pull the knife out of your back while I play the victim
are you tracing your feelings, reasons, meanings with a blade?
miles of Niles in your system left to untangle in the shade
of a chemical, hereditary, primary reaction-function
truths dripping from the salty-sweet eyedropper venom
of your eyes veins eyes veins eyes veins eyes
lies brain wise brain tries brain, synthesized
Synth is a religion and nightclub floors are the pews
bass is the gospel and flashing lights are the hues
that currently color in the skeletons of blueprints
you drew for your dreams, defined old reality with
tongues in others' lungs doesn't make for an answer
but I hear your prayer, girl, and I echo your seance
bodies twisting in rhythm with anyone who will feel us
people sweat and Ciroc are all liquids, what's the difference
searching for a Fountain of Amnesia to heal us
Wednesday, May 9, 2012
checking in once more
I should really, really, really, really be sleeping right now. And I should really not be straightening my hair and painting my nails glitter pink instead of finishing my homework. And I should really not be using electronic devices next to my bathroom sink.
I should also really, really, really be getting a job.
I'm on it, I swear.
Anyway, there's a few thoughts I want to jot before I continue my strange nocturnal crusade.
I have really big dreams. But I wouldn't call them "dreams" as much as magnetic needs to achieve certain goals. Really, I have no choice in the matter. I need my dreams like my stomach needs food. It's just another natural chemical reaction.
Be right back, I'm going to make a mud mask. I really, really shouldn't be doing that.
And I'm back, looking like an odd female euphemism of Bear Grylls. Sweet, can't wait to look like the sexiest zombie alive (dead? hah) tomorrow morning.
Okay, back to dreams. I'm a super driven person, and I question everything I see. I strive for answers, and I strive to be a creator. I strive to be an illuminator and a helper.
Case-in-point: in college, I hope that I will have the resources and the skills to begin to answer some of the questions that safely inhabit my mind. I've noticed that depending on which means of writing I choose, my writing, style, and thoughts are different. Blogger is different from Tumblr, and my school notebook is different from my journal, and a hotel napkin is different from my hand. As means of writing changed throughout the ages and through technological innovation, has it shaped writing style and thoughts? Much like "newspeak" affected peoples' thoughts in Orwell's 1984, does the means of writing itself shape our thought process? How does audience (as with websites blogs, public areas) play a part? I hope to do a psychological study on this one day in college.
This is all I can manage now without falling asleep with my oh-so-attractive earth clay mask cemented to my face. Goodnight world. Eagerly awaiting everything, struggling to savor everything.
I should also really, really, really be getting a job.
I'm on it, I swear.
Anyway, there's a few thoughts I want to jot before I continue my strange nocturnal crusade.
I have really big dreams. But I wouldn't call them "dreams" as much as magnetic needs to achieve certain goals. Really, I have no choice in the matter. I need my dreams like my stomach needs food. It's just another natural chemical reaction.
Be right back, I'm going to make a mud mask. I really, really shouldn't be doing that.
And I'm back, looking like an odd female euphemism of Bear Grylls. Sweet, can't wait to look like the sexiest zombie alive (dead? hah) tomorrow morning.
Okay, back to dreams. I'm a super driven person, and I question everything I see. I strive for answers, and I strive to be a creator. I strive to be an illuminator and a helper.
Case-in-point: in college, I hope that I will have the resources and the skills to begin to answer some of the questions that safely inhabit my mind. I've noticed that depending on which means of writing I choose, my writing, style, and thoughts are different. Blogger is different from Tumblr, and my school notebook is different from my journal, and a hotel napkin is different from my hand. As means of writing changed throughout the ages and through technological innovation, has it shaped writing style and thoughts? Much like "newspeak" affected peoples' thoughts in Orwell's 1984, does the means of writing itself shape our thought process? How does audience (as with websites blogs, public areas) play a part? I hope to do a psychological study on this one day in college.
This is all I can manage now without falling asleep with my oh-so-attractive earth clay mask cemented to my face. Goodnight world. Eagerly awaiting everything, struggling to savor everything.
checking in
Doing a project about Rastafari (it's not an -isim, mind you) shirtless at 3AM, listening to Strangeland and sipping my now lukewarm jasmine oolong. It's a strange but quite nice place to be. Microcosmic.
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